At the outset, I check that this is not a film about making games. It is a film about the difficult art of love and turns that await steam in the long-term relationship, which sets the clock monotony. Fortunately, we are not facing a typical romance novels. Production surprising extraordinary approach to the topic by presenting the fate of the tester games, which embodies Piotr Zurawski. Concepts words “kampić” I do not need you to explain, because I know them well. The main character is the title “camper”, which almost secretly waiting for the movement of its second half . He can not take a man’s decision alone to guide their lives. It is moreover no better. In its own way this can be perceived as cowardice, but if many of us do not know this from personal experience? Or with your surroundings? Zurawski actually had played a role lost in the haze of the everyday life of a thirty-year, which gives the whole drama of credibility.
Very well acquitted themselves well Mania (Marta Nieradkiewicz), which is apparently a good wife, in his spare time attending to the cooking course . She takes care of the house and dreaming of a real guy, a non-stop game, but thanks to good money and can support a family. The farther the problems more . Married life can sometimes be torture, but no one has the courage to take the first step and break it. The history of color to supporting roles Spanish lover (alluring Sheily Jimenez, you will see how the Lord God created), a celebrity and chef ( Jacek Braciak great parody Wojciech Modest Amaro), a colleague Kamper (Bartlomiej Swiderski as a professional nerd), or a lonely fellow expectant child (Justin Suwała). They are all somehow connected with the camper acting the perfect backdrop for the story.
the film in many places asking the question – whether, having more than 30 years we want to lead orderly life? Wife, children, good job, Pile up every morning in a suit. But maybe we want to have in himself something all the time with your child? It’s the end of our lives and we must answer the question whether the existence of imposed social norms makes us happy. Film on the one hand shows quite vividly the problems “adult children” who can not / do not want to end involved and see the other makes one wonder what life is really a measure of happiness. And what is the definition of a real man and a real woman? This created by general or our own? And sometimes you can press the reset and start all over again? Nothing is given here on the tray because the director does not try to moralize the viewer and be responsible for it difficult questions. I enjoy the fact that the film had not attempted to ugrzecznić. There are sex scenes, burning herbs, street slang, swinging booze, jokes with a beard, satire stupefying culinary programs and even jokes about gays. Sometimes it is simply familiar and feel that the actors are not yet jaded as our full-time cinema starlets.
In the film, you will find a plethora of references to the games. Somewhere on the wall scrolls poster of Half-Life, background blink old Commodore, the hero pops up in a shirt with the logo of Atari. It’s nice that they are only flavors, but not intrusive pushing us paintings in the style of “look, we made a video for the players.” Significant is the scene in which the main character in the game Counter Strike with a team of friends. Curses flying left and right, including the specific vocabulary. But it falls extremely natural. Great is also a section on which comments Dariusz Szpakowski with FIFA literally and figuratively refer to the emotional state of our hero. Several times a healthy also laughed to hear anecdotes about the fact that the game used to be better, or traps waiting for game testers.
Know, however, that the installation of the film is very raw. Blurry shots, the camera shaking at times, the mass of close-ups on the actors’ faces. I even sometimes feel that I watch a document, what happens I do not always fit. Feel However, in all this climate of independent cinema and naturalness, the lack of which many high budget productions. are rarely when the music plays, but once you get there (took care of her music producer Black HIFI), a well emphasizes the atmosphere of the scene. And while some threads can be better developed and run, and some of the more tedious cut scenes, like a debut film Luke Grzegorzek wrote really well. The viewer in the end he has to draw conclusions as to the validity of the proceedings of the main character. And when the film finally forced to deeper reflection, it means that it will be this bread. Really good, though niche cinema.
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