“Metro 2035″ is about the fate of Artema – the hero of “Metro 2033 ‘and 2034, and both games – but now this is no longer the same boy. Now Artem possessed is not giving hope for the success of the mission to find the remaining survivors. Is it at all are those? His daily life is starting to surface and attempt to establish radio communication with the rest of the post-apocalyptic world. Because it can only Moscow dogorewa buried under the ground, and somewhere out there, beyond the horizon, you can breathe on the surface and enjoy the starry sky over your head, and not feel overwhelmed by the concrete vault claustrophobic tunnels? All around are Artyom, for ześwirowanego freak, including the reader. The hero comes across as believing in something completely unreal, absurd and sometimes difficult to identify with him, as it did in previous novels. But when VDNKh – a family station Artem – old man appears claiming that he knew the man, who managed to catch the signal in the ether outside Moscow, fueled the illusion of a hero without thinking throws everything and hit the road. And we with him.
Głuchowski announced that the world we know will put on the head and in a way it did. Closing the trilogy has a heavier tone than the previous cycle reads. The underground world is even more dystopijny, and we almost always seems to be that the purpose of standing before a hero, and so devoid of any sense. By this reading can sometimes rejected. This goal where it gets hazy, and the whole of my spins too slowly gaining real momentum only at the halfway point. Although the climax of the novel can a lot of reward. The author also goes from a typical science-fiction literature, which rather stick to previous books. Previously hero fought with mutants, epidemic or problems of everyday life in the subway. With clearly defined threats. Here fed radiation surface dwellers is not all. This is not “Mrówańcza” and Polish “The Abyss” – a book of the universe Metro 2033 using post-apocalyptic reality to present the history of primarily geared for action and entertainment. Light. Głuchowski decided under the guise of postapocalyptic reality spin a story primarily about people. The Moscow metro is seen here as a country with a totalitarian regime. There is no shortage considerations on the basis of a political but of course maintaining the prevailing surrounding realities.
This is an attempt to show that in the face of being posed against the wall, facing leads to bestiality as a last resort and so will be those who want to build the illusion of freedom in pain and the work of others. Those allegedly aware of “protecting” the weak and giving them a sense of security. And that it might just destroyed the seemingly unlimited freedom so well deck, known to us from the everyday world. This is the direction that does not necessarily everyone will like it. Sam not quite what I expected and I confess that “Metro 2035″ is not absorbed me so completely like its predecessors, and some items in the universe. Bothered me at times chaotic led dialogues, where it is easy to confuse who says what, and it can also hurt the excessive accumulation of lucky coincidences that allow relatively unharmed heroes get out of trouble. Overall, however interesting position, and no one who has read the previous novels, you should not miss it.
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