The story is not very original and simple as building a flail, though inspired by true events. Hugh Glass – adventurer, explorer and hunter hides in areas belonging to the Indians, the escape from Native Americans is attacked by a bear and abandoned by his comrades to their fate. However, he decides to live and to take revenge on his former companions.
Alejandro González Iñárritu has already proved that he is a specialist in portraying on the screen of human suffering, it is only now confirmed. You can see that he is fascinated by the darkest human emotions. The director focuses not on the fall of man, but on how much must he toil, only to get up.
In terms of images, landscapes and costumes, this film is a masterpiece. Great running camera both during the initial battle re action and show the journey of the main character. Image not shake like he was shot out of hand. The colors are dark due to the fact that the director decided to use only natural light. No problems I fell into the realities of trappers who in 1822 kilometer after kilometer conquered the continent, fighting or bribing trinkets every tribe, which met on their way. Maybe that’s why the teams of “exploratory” in those days very often hired murderers, who thus wanted to satisfy his lust to kill. This allowed them to do so entirely legally and still get a payment. As for the historical aspects, the Alejandro perfectly to comply with your request. Everything here is raw and dirty. People in the foreground are Frost and look like in these forests actually sat only a few months. They behave a little feral and allow to voice your instincts.
However, looking closer to the story, the spell is broken. It turns out that this is an ordinary film about revenge and human greed. Nothing else. There’s no additional value. No perverse twist in the plot that would viewer surprised and stared at the chair. Holes logic in the whole scenario is so much that it’s hard not refrain from snorting with laughter at moments in serious intention. This is due to the fact that the script needs to maintain its pace by which multiple threads, compared with the book original, was spłyconych. People from no zowąt begin to make very silly, incomprehensible errors, and everything just to film maintained some liquidity, and the story was moving forward. As if DiCaprio always had so much life and happiness as his character in “appearance”, it’s probably survive a disaster on the Titanic, even if he were floating on the doors of weeks. Characters played by Leonardo DiCaprio and Tom Hardy are not distinguished by anything in particular. The first still grunts and wheezes, and the other so vaguely muttering that Clint Eastwood is a master at his diction. You can see the Leonardo he wants at any price to win the coveted Oscar, who had so often walked past his nose. The guy doubles and triples to show pain and betrayed the will of revenge-crazed man. Jumps into cold streams, Babra in fake blood, eats raw meat (though it is an avowed vegetarian), it all but useless. In terms of emotions the film is heavily contrived and rather for his acting statuettes do not get it.
The original title of the movie is” The Revenant “, which literally means” return the corpse, “which perfectly describes what we see on the screen. The distributor has decided to resign from the title, because too much kojarzyłby to viewers of films about zombies.
text David Muszyński
landscapes
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+ Perfectly made costume
- Simplified story
- Errors in logic
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